Jackie is a tribute to the steeliness with which the former First Lady Jacqueline Kennedy Onassis (also known as Jackie) manaevoured the assassination of her husband President John F. Kennedy, when the two were out on a trip in Texas. Dressed in a pink Chanel suit and a pillbox hat of the same colour, the young First Lady’s choice of attire on that day has since then evolved into one of the most memorable fashion reference points in history, particularly for the sixties. In the film, Natalie Portman stars as Jackie and it is directed by Pablo Lorrain; the film is quite dramatic in places and more often than not it is emotional and historically-evocative.
Portman looks very much like she is keeping up appearances for her role and it is tough upon first sight to strike a chord with it because I think the most endearing quality of a biopic is the level of realism that can be sourced and splashed on screen. That nature of the film acts as a major drawback because Portman doesn’t convince enough as Jackie and it almost throws off a very good script off it’s tracks. The story is, first and foremost, about an interview given to LIFE magazine soon after the sudden death of her young husband, during which she is rather easily irritable and even flat out tells the unknown reporter (for the magazine) that he cannot print segments of it.
Jackie comes off as a woman that you cannot help but sympathize with. She divulges that the ‘Camelot’ remarks surrounding the presidency was a pure marketing pull and nothing else, and she always has to have a sense of higher duty: whether or not she is on the other side of Atlantic and projecting a classic American culture because once she did use to be the First Lady or if she is at home in the United States managing to keep the whole story of what transpired on that tragic day the least bit sensitive that is possible. The film is watchable for that new angle on a remarkable political figure, and then there are also the breathtaking costumes.