Cast: Jennifer Lawrence, Javier Bardem and Michelle Pfeiffer
Director: Darren Aronofsky
Mother! is a remarkable film. There is this ‘Poet’ (Javier Bardem) and the woman he created, the ‘Mother’ (Jennifer Lawrence), who is married to him, loves him and the two eventually even have sex, following which the Mother gives birth to a son but everything in the script doesn’t have so much of a relatively tranquil atmosphere. The brilliance of the movie is that it switches from light romance (which Lawrence emotes evocatively) to horror and then to utter tragedy.
Separate stories seem rather abruptly stitched with each other, at times in Mother!: for example, when the Mother tries to protect her infant, she fails – in the end, her son is brutally killed by the Poet’s fans, post his fans performing solemn ceremonies around him; the fans, who normally exhibit extremely loony behavior such as stealing objects from the pair to act as mementos, are around the two because of this book the Poet’s just published, which he finally manages to do when he finds out he’s going to have a baby – the thought of which makes the Poet overjoyed. This puzzle-like approach to storytelling by Darren Aronofsky makes for a bumpy-ride of mental adjustments sometimes, because everything moves so fast – a good handful of mini-stories juggernaut around before the overarching brilliant theme of the film (comprising of the three dramatic forms) manages to shine through.
After losing her son, Mother willingly gives up her love (well, what is left of it!) for the Poet, at his asking, and he rather quite brutally replaces her with another entirely new woman, another Mother, but who seems to be not very much different from the previous Mother. The movie is quite unique to begin with – a crystal placed in a frame turns a charred house into a temple-like home, an eerie romantic-tragedy but it works rather superfluously.